Lauren Lee McCarthy (she/they) is an artist having social relationships in the midst of automation, surveillance, and algorithmic living. She has received grants and residencies from Creative Capital, United States Artists, LACMA, Sundance, Eyebeam, Pioneer Works, Autodesk, and Ars Electronica. Her work SOMEONE was awarded the Ars Electronica Golden Nica and the Japan Media Arts Social Impact Award, and her work LAUREN was awarded the IDFA DocLab Award for Immersive Non-Fiction. Lauren's work has been exhibited internationally, at places such as the Barbican Centre, Fotomuseum Winterthur, Haus der elektronischen Künste, Seoul Museum of Art, Chronus Art Center, SIGGRAPH, Onassis Cultural Center, IDFA DocLab, Science Gallery Dublin, and the Japan Media Arts Festival.
Lauren is also the creator of p5.js, an open-source art and education platform that prioritizes access and diversity in learning to code, with over 10 million users. She expanded on this work in her role from 2015–21 on the Board of Directors for the Processing Foundation, whose mission is to serve those who have historically not had access to the fields of technology, code, and art in learning software and visual literacy. Lauren is a Professor at UCLA Design Media Arts. She holds an MFA from UCLA and a BS Computer Science and BS Art and Design from MIT.
You can say turn off the lights. You can say wake me up at 7am. You can say talk to me. I am captivated by the ways we are taught to interact with algorithms, and how this shapes the way we interact with each other. Central to my work is a critique of the simultaneous technological and social systems we’re building around ourselves. What are the rules, what happens when we introduce glitches?
I create performances inviting viewers to engage. To remote control my dates. To be followed. To welcome me in as their human smart home. To attend a party hosted by artificial intelligence. In these interactions, there is a reciprocal risk taking and vulnerability, as performer and audience are both challenged to relinquish control, both implicated. We must formulate our own opinions about the systems that govern our lives. We begin to notice their effects play out on our identity, relationships, and society. Situated in everyday life, my projects have real life consequences. We’re reminded of an urgent need to find a sense of agency.
I am working with performance, software, electronics, internet, film, photography, installation. My work exists within and beyond the gallery, seeking edges of art and media performance. There are different layers of experience, from the intimate performance to a much wider audience invited in through the ripples of viral videos and media coverage.
Each work feels like an attempt to hack my way out of myself and into closeness with others. I am embodying machines, trying to understand that distance between the algorithm and myself, the distance between others and me. There’s humor in the breakdown, and also moments of clarity. Who builds these artificial systems, what values do they embody? Who is prioritized and who is targeted as race, gender, disability, and class are programmatically encoded? Where are the boundaries around our intimate spaces? In the midst of always on networked interfaces, what does it mean to be truly present?
I.A. Suzie was made in collaboration with David Leonard
David Leonard is an artist examining the fringes of technology, current events, journalism and the aesthetic representation of narratives.
Drawing from a rich well of creative and professional experience, Leonard collaborates with brands, R&D labs, Healthcare organizations, and technologists to build rich narrative media, includes viral videos, virtual , augmented and enviornmental reality experiences to reach diverse audiences.
Throughout his youth in Los Angeles Leonard documented and wrote for local news outlets, covering the LA Riots, the O.J. Simpson trial and other game-changing events of the 1990s.
After experimenting with stand-up comedy and performance, he found a place in broadcast television news as a reporter and multimedia . His stories have appeared on ABC, CBS, CNN, Chinese Central Television and Comedy Central's "The Colbert Report".
Leonard accentuates his career with an art practice. His series of vacuum-formed works, produced at Warner Bros. Studio in Burbank, CA, distort reality through various media channels, incorporating mechanical and digital processes.
Leonard earned a Masters in Fine Art from the University of California, and continues to conduct lectures and workshops, in the Media Design Practices Graduate Program at Art Center College of Design, the Arts and Architecture Department at UCLA, Caltech , and has exhibited work at the Getty Museum in Los Angeles (2011), Pro Choice in Vienna (2011), What Pipeline in Detroit (2014), Bergen Kunsthall in Bergen (2014), Art Basel (2015), Neue Alte Bruecke in Frankfort (2015), Minerva in Sydney(2016), Ars Electronica in Linz (2019), Sundance Institute (2022), Deutsches Hygiene-Museum 2022.